A selection and presentation of Helmer-Petersen's photographs 1950-1990 by the photographer himself.
"Helmer-Petersen insists upon the consideration of the anodyne as an ethical and aesthetic prejudice. His work, at the confluence of the Bauhaus and American lyrical abstraction, is superbly presented in this beautiful retrospective book. It sets a high standard for monographs."
- Stuart Alexander, IRIS, Paris
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