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Kan man opfatte en koncert med Bob Dylan som en rituel begivenhed med et fast mønster af elementer? Som f.eks. når 'All Along the Watchtower' sædvanligvis spilles som den tredje sang i settet. Kan man derudover finde lighedstegn mellem en rockkoncert og et kirkeligt ritual af langt ældre oprindelse?
I dette særnummer af tidsskriftet TRANSFIGURATION undersøger forskere fra ind- og udland forholdet mellem performative offentlige begivenheder og religiøse rituelle højtideligheder, der stammer helt tilbage fra middelalderen.
Projektet er tværfagligt. Det spænder vidt over kronologi og genrer. I de 15 artikler dækkes bl.a. den religiøse billedkunst, teater, litteratur og musik, f.eks. Kurt Weill og Bertolt Brechts Das Berliner Requiem eller Bob Dylans koncerter. På den måde kædes forholdet mellem kunsthistorie og kristendommens historie sammen omkring titlens to begreber: Genrer og ritualer. Begge termer er brede og kan være svære at få hold på. Bogen belyser det komplekse forhold mellem de to begreber inden for den europæiske kulturhistorie og dermed middelalderens ritualers kulturelle arv.
Genre and Ritual blev planlagt på baggrund af den første årlige internationale konference på Danmarks Grundforskningsfonds Center for Studiet af Kulturarven fra Middelalderens Ritualer, Det Teologiske Fakultet, Københavns Universitet. Essayene er skrevet dels af centerets egne forskere, dels af kolleger fra universiteter i Danmark, Norge, Sverige, Tyskland og USA, som centeret samarbejder med.
Redaktørerne
Eyolf Østrem er post.doc.-stipendiat ved Danmarks Grundforskningsfonds Center for Kulturarven fra Middelalderens Ritualer, Københavns Universitet.
Mette Birkedal Bruun er post.doc.-stipendiat ved Danmarks Grundforskningsfonds Center for Studiet af Kulturarven fra Middelalderens Ritualer, Københavns Universitet.
Nils Holger Lektor Petersen er leder af Danmarks Grundforskningsfonds Center for Studiet af Kulturarven fra Middelalderens Ritualer, Københavns Universitet.
Jens Fleischer er lektor ved Afdeling for Kunsthistorie, Københavns Universitet.
English
The concepts of genre and ritual are central for the overall occupation with the relationship between the History of the Arts and the History of Christianity in Western Culture. In particular, these two concepts have important bearings for the research carried out at the Centre for the Study of the Cultural Heritage of Medieval Rituals (www.teol.ku.dk/kulturarv) which has been established at the Faculty of Theology at the University of Copenhagen through funding from The Danish National Research Foundation. The first of the annual conferences of the Centre was dedicated to the question of ritual and genre. The present volume was planned on the basis of this conference: a collection of 15 essays
with a wide range of topics both in terms of chronology and subject matter. The individual essays have been written partly by scholars at the Centre, partly by colleagues from universities in Denmark, Norway, Sweden, Germany, and the USA with which the Centre collaborates. The aim has been to publish a volume which in a facetted way sheds light on the complex relationship between the two broad and difficult terms, genre and ritual, within the cultural history of Europe. The book is a special issue of the journal TRANSFIGURATION (ISSN 1399-1353).
The editors
Eyolf Østrem is Post-doctoral research fellow at the Department of Church History, Centre for the Study of the Cultural Heritage of Medieval Rituals, University of Copenhagen.
Mette Birkedal Bruun is Post-doctoral research fellow at the Department of Church History, Centre for the Study of the Cultural Heritage of Medieval Rituals, University of Copenhagen.
Nils Holger Petersen, Associate professor, is Centre Leader at the Department of Church History, Centre for Christianity and Art, Centre for the Study of the Cultural Heritage of Medieval Rituals, University of Copehangen.
Jens Fleischer is Associate professor at the Department of Art History, University of Copenhagen.
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Indhold
Foreword
Nils Holger Petersen
Introduction
Claus Clüver
On Genres: Their Construction, Function, Transformation, and Transposition
1. Ritual and Culture
Jesper Sørensen
Ritual as Action and Symbolic Expression
Katia Gvozdeva
Hobbyhorse Performances: A Ritual Attribute of Carnivalesque Traditions and its Literary Appropiation in Sottie Theatre
Christof L. Diedrichs
Desire of Viewing: A ‘Deluge of Images’ in the Middle Ages
Henrik v. Achen
‘The Passion Clock’ – a Lutheran ‘Way of the Cross’: Reflections on a Popular Motif in Early Eighteenth-Century Scandinavian Religious Imagery
2. Narrative, Genre, and Ritual
Richard Utz
Remembering Ritual Murder: The Anti-Semitic Blood Accusation Narrative in Medieval and Contemporary Cultural Memory
Biörn Tjällén
Ericus Olai’s Chronica regni Gothorum: A Discourse on Dominance
Siglind Bruhn
Rituals and Genres in a Twentieth-Century Operatic Portrayal of a Medieval Saint
Jørgen Bruhn
‘Useful if Treated with Caution’: Carnevalization in Don Quijote
3. Musical Genres
Heinrich W. Schwab
The Phenomenon of Concert Applause: Interactions between Institution, Ritual, and Musical Genre
Lars Berglund
The Aria, the Stylus Melismaticus, and the Holy Communion
Magnar Breivik
Weill and Brecht’s Das Berliner Requiem: A Secular Work in a Sacred Tradition
4. Secular Ritual
Eyolf Østrem
‘Going Through All These Things Twice’: The Ritual of a Bob Dylan Concert
Nils Holger Petersen
Music Practices around Bob Dylan, Medieval Rituals, and Modernity
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